Showing posts with label Moley 2. Show all posts
Showing posts with label Moley 2. Show all posts
03/04/2010
02/04/2010
01/04/2010
31/03/2010
30/03/2010
Pesach
Pencil and pencil crayon in Moleskine sketchbook.
Last night, the beginning of the Jewish festival of Passover. The platter of food symbolising the bitterness of slavery and then the sweetness of freedom.
29/03/2010
28/03/2010
Cake wrapping
Staedtler black pigment liner, pencil crayon and watercolour in Moleskine sketchbook.
Treats from Sanna.
27/03/2010
Internet shopping
New shoes arrived in the post.
Staedtler black pigment liner, watercolour and collage in Moleskine sketchbook.
26/03/2010
Behind the scenes at the Natural History Museum, London
Pencil, pencil crayon and watercolour in Moleskine sketchbook.
Playback again: amber as time capsule, and the magic of fossils.
Limes
Graphite pencil, pastel and watercolour in Moleskine sketchbook.
Caipirinha without the cachaça and sugar: ie very tart lime-ade, with ice. Delicious.
25/03/2010
Tropic of Cancer on playback
Watching Simon Reeve travelling in North Africa through Northern Sahara, Mauritania, Libya, Algeria. Rather him than me.
Pencil, pencil crayon and watercolour in Moleskine sketchbook.
24/03/2010
Reading the budget report on the train
Ink pen, pencil crayon and watercolour in Moleskine sketchbook.
Dentist yesterday in London. On the train home, everyone was reading about the new budget. Hard again on the smokers and drinkers, a few stealth taxes for us "haves", so far so political.
Dentist yesterday in London. On the train home, everyone was reading about the new budget. Hard again on the smokers and drinkers, a few stealth taxes for us "haves", so far so political.
23/03/2010
22/03/2010
21/03/2010
The Foundling Museum, and sushi
Pencil, pencil crayon, watercolour pencil crayon and collage in Moleskine sketchbook.
The Foundling Museum in London was once the Foundling Hospital, enjoying sponsorship by both Handel and Hogarth. Very moving... with temporary exhibition by Paula Rego, Matt Colishaw and Tracey Emin. I was especially struck by the tiny pink-painted bronze cast of a baby's bootee that Tracey Emin placed on the step to the building, a haunting evocation of the fate of both mothers and foundlings. But I sketched the dark, scary photograph by Matt Colishaw of two babies on a dilapidated sofa, guarded by two feral dogs.
20/03/2010
Behind the scenes at the Natural History Museum, London
Pencil, pencil crayon and pastel in Moleskine sketchbook.
Subscribe to:
Posts (Atom)