www.ruthrosengarten.com




Drawing and photography are central to my practice. Both make pressing - if sometimes fictitious - claims to the capture of lost moments.




Showing posts with label South Africa. Show all posts
Showing posts with label South Africa. Show all posts

24/01/2011

Back home and South Africa, 25 December 2010

Back home after a long time away, and flailing in stuff that needs to be done, so the scanning of my sketchbook will be slow.  These lemons from an exercise with my brother upon my arrival: I think his may have been his first drawing ever.


Pencil and brush marker in Seawhite of Brighton sketchbook






16/01/2011

Mother and child




This is the young wife and one year old son of the cook at the residential hotel where my mother lives.  They live in a room off the basement garage; their older boy is somewhere "at home" with grandparents. This child and I have taken to each other and the father says, only half jokingly, take him to England, give him a good life. Then we all laugh uncomfortably. Anything else I might say here would be mawkish. Bring on Madonna or Angelina Jolie... I can see the temptation, the smug pat on one's own back.


Iced water at Tasha's




12/01/2011

Karoo to Free State







Karoo Stopover: the food chain

Beautiful, isolated spot, fantastic hospitality and food, and one of the other guests was someone I met over twenty years ago and have not seen since. When I saw the newly born calves, I did have to try and forget the sign I'd seen pointing to the farm's abattoir.







08/01/2011

Looking down





Looking down





Cultural relativism: courtesy





This woman's blindness was achieved courtesy of her husband and a knobkierrie. For those ignorant of this tool, it is a club 'used mainly in Southern and Eastern Africa', dixit Wikipedia. Typically they have a large knob at one end 'and can be used for throwing at animals in hunting or for clubbing an enemy's head.' For anyone concerned about the objectification of people before the camera lens, she was a willing and paid accomplice to this photograph, which was embedded in a long conversation in the gardens outside of Cape Town's National Gallery. 

A touch of colour