Pencil, pencil crayon and brush marker in Moleskine sketchbook.
www.ruthrosengarten.com
Drawing and photography are central to my practice. Both make pressing - if sometimes fictitious - claims to the capture of lost moments.
18/05/2010
17/05/2010
Proteas
Ink pen and watercolour in Windsor and Newton sketchbook.
The gardens of Kirstenbosch in the Cape province of South Africa, with the spectacular view of Table Mountain as backdrop. After the cycads, we go see the abundant collection of fynbos (fine bush) plants: restios, ericas and the astonishingly sculptural and emblematic proteas in a variety of reds, pinks and whites...
How did I get here so quickly? Um. Fibbing. "The Royal Botanic Gardens, Kew, and the British Museum have brought a small corner of South Africa to the heart of London." The collection looked beautiful, but odd. I took some photos a couple of weeks ago, and drew the proteas from them. Follow the link for
16/05/2010
Ingredients for lunch
Pencil, water soluble pencil crayon and watercolour in Windsor and Newton sketchbook.
This paper is not meant to buckle with watercolour!
15/05/2010
Shopping

Brush markers and watercolours in Windsor and Newton sketchbook.
Beautiful Saturday morning - ie gorgeous light and weather not too hot. The countryside on the drive into town was breathtakingly lovely, and everything in town seemed mild and gentle: welcome to Midsomer! Dog out of immediate danger and back home, so I went to look for tasty morsels to try coax her appetite back (not very successful so far). Saw several people with walking sticks... These sketches in different greys, not black, hence faded look.
14/05/2010
Soldiers
Very early and very quick. Tidying the bathroom cupboard, I lined up all these soldiers. There are only two of these that I actually use (she said defensively).
13/05/2010
Lost and found, 2
Staedtler black contour liner and watercolour in big sketchbook.
Brush markers and pencil crayon in big sketchbook.
More stuff I leave lying about the house.
12/05/2010
11/05/2010
10/05/2010
How does one represent the world, in all its three dimensional plenitude, on a two dimensional surface? When Picasso split a woman’s face in several parts and showed us each segment from a different point of view, he was addressing this question. In the art of representation, this is a core problem, one that is always implicit in those artefacts that we call pictures. Read on.
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